Review of The Lost Girl by Liz Harris - Five **
Blurb:
What if you were trapped between two cultures?
Life is tough in 1870s Wyoming. But it’s tougher still when you’re a girl who looks Chinese but speaks like an American.
Orphaned as a baby and taken in by an American family, Charity Walker knows this only too well. The mounting tensions between the new Chinese immigrants and the locals in the mining town of Carter see her shunned by both communities.
When Charity’s one friend, Joe, leaves town, she finds herself isolated. However, in his absence, a new friendship with the only other Chinese girl in Carter makes her feel like she finally belongs somewhere.
But, for a lost girl like Charity, finding a place to call home was never going to be that easy …
Review:
Wow! This book took me all over the place emotionally! Liz describes Wyoming post gold rush so well, I felt as if I was there! And her sensitive handling of the race problems between the white americans and the chinese was remarkable!
I felt so very sorry for Charity - she was Chinese by birth but had been brought up as an American and consequently did not fit in either group. The day she started school had me in tears.
Liz builds the tension towards the end. Who will Charity marry? And what will happen if she chooses Joe? And if she chooses Chen Fai, what will happen to Joe? I couldn't see a solution that didn't end in some sort of violence, Luckily Liz could!
And now for the promised info about the book and Liz's ideas.....
Location,
Location, Location …
I’m frequently asked where I get my
ideas from, and also what comes first – the story or the characters. Ideas come
from many different places – from overheard conversations, lines of poetry,
real life situations, the media, newspaper and magazine articles and so on. There’s
no one answer: the inspiration for each novel is different. As for which comes
first, the story or the characters, I find it equally hard to say as they so
often grow together, both of them developing from the location.
That makes the location in which the
novel is set, extremely important.
I doubt that there’s anyone reading this
who hasn’t seen Location, Location,
Location, a popular property programme in which two presenters help people
to find the home of their dreams, the premise for the TV programme being that
when you’re considering buying a house, you look first at the location.
I think that deciding upon the location
is a pretty good place to start when you’re writing a book, too. After all, the
location doesn’t just have to be right for the story; ideally it has to
contribute to the story, and to do that, it must offer something meaty to the
author.
My location for The Lost Girl is
Wyoming in the 1870s and 1880s. It’s the third time I’ve set a novel in the
American West, the most romantic of settings, but the first time I’ve located a
book in the southwest of Wyoming. When I was researching Wyoming’s fascinating
history in order to find that ‘something meaty’, I happened upon the tension
that grew between the Chinese and the white miners, and I knew in that moment
that I’d found the time and place for a potentially gripping story line, and a
moving one.
The central family in The Lost Girl lives in Carter Town, a fictional
mining town in the heart of the southwest, an arid area, rich in coal. Although
fictional, Carter Town is based on a real railroad mining town and depicts the
events that took place in that town in the early 1880s.
The more I read about the tension between the
two communities, Chinese and white, the more I thought about identity. Suppose
you looked 100% Chinese in your face, but had an American accent, wore American
clothes, behaved with the openness of an American girl - what would you be, I
wondered: American or Chinese? And from that moment on, my heroine, Charity,
was born.
But how to get Charity into Carter Town,
a town which at the time of her birth, was an all-white mining town, I mused.
Obviously she’d have to be found by someone, I realised, and that someone gave
rise to my hero, Joe Walker.
From that moment on, The Lost Girl started to take shape on
my page. Seven-year-old Joe rescued an orphaned baby girl,
and pleaded with his family for them to keep her. They reluctantly agreed,
thinking that the baby girl could help Joe’s mother with the household chores
when she was older. And thus my story began.
The Lost Girl is a story that grew from the location in which it was set, a story which I
was determined would be true to the period and to the characters who were slowly
evolving in my mind, a story which would engage your emotions and make you keep
on wanting to turn the page.
I hope you agree with me, dear readers,
that it did just this.
Thank you very much for inviting me to be a guest on your blog today; I’ve
thoroughly enjoyed my visit to you.
The Lost Girl is now available to buy as paperback.
Click here for purchasing options:
And now a short biography and some links where you can find out more about the lovely Liz!
About the author:
Liz was born in London and now lives in South
Oxfordshire with her husband. After graduating from university with a Law
degree, she moved to California where she led a varied life, trying her hand at
everything from cocktail waitressing on Sunset Strip to working as secretary to
the CEO of a large Japanese trading company, not to mention a stint as
‘resident starlet’ at MGM. On returning to England, Liz completed a degree in
English and taught for a number of years before developing her writing career.
Liz’s debut novel, The Road Back, won a Book of the
Year Award from Coffee Time Romance in the USA and her second novel A Bargain
Struck was shortlisted for the Romantic Novel of the Year Award.
